Schumann's turbulent love-affair with the barely eighteen-year-old Ernestine von Fricken, though strong enough to lead to a secret engagement, lasted only a few months. Nevertheless, it managed to give ri
Carnaval is characteristic of Schumann's highly individual youthful romanticism and requires musical maturity for performance. Written for advanced pianists, it is a series of glimpses enveloped in the atmosphere of
By Robert Schumann / ed. Maurice Hinson
Carnaval is characteristic of Schumann's highly individual youthful romanticism and requires musical maturity for performance. Written for advanced pianists, it is a series of glimpses enveloped in the atmosphere of
Like many other nineteenth-century musicians, Robert Schumann wanted to settle down in the musical capital of Vienna. Though these plans came to naught, his stay in Vienna in 1839 gave rise to an entire s
Composer: Robert SchumannEditor: Wolfgang Boetticher
In Schumann's middle years there was a longer period in which he favored larger groups of instruments. Although he composed a few single pieces for piano, they remained unpublished at first. It was on
For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works for piano solo are appearing as one editorial project. Includes extensive commentary, alternate versions, and more.
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are appeari
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
Schumann wrote his only piano concerto for his wife Clara. Originally it was conceived as a single movement fantasy. Unlike many virtuoso concertos of its day, which see the virtuoso pianist contrasting with the
The “Davidsbund” – a group of artists who had joined forces in a revolutionary struggle against the backward structures in the artistic world, amongst whose members he counted both real and imaginary peop
