It is almost impossible to tell from listening to them that Bach’s extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed for violin or a woodwind ins
Song List:
Haydn: 7 missing Sonatas
Haydn: Allegro molto without Hob. D major
Haydn: Final of the Sonata No. 9 without Hob. E flat major
Haydn: Single movement G major Hob
Song List:
Haydn: Sonata A major Hob. XVI:26
Haydn: Sonata A major Hob. XVI:30
Haydn: Sonata b minor Hob. XVI:32
Haydn: Sonata C major Hob. XVI:21
Haydn: Sonata C major Ho
Song List:
Haydn: Sonata A flat major Hob. XVI:43
Haydn: Sonata B flat major Hob. XVI:41
Haydn: Sonata C major Hob. XVI:48
Haydn: Sonata C major Hob. XVI:50
Haydn: Sonata
The revision of the three-volume edition of Haydn's piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in “pure” Urtext, free from added fingering suggestions, wil
The revision of the three-volume edition of Haydn's piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in “pure” Urtext, free from added fingering suggestions, wil
The revision of the three-volume edition of Haydn's piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in “pure” Urtext, free from added fingering suggestions, wil
55 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a “who's who” on the contemporary piano scene. G. Henle Publisher
55 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a “who's who” on the contemporary piano scene. G. Henle Publisher
55 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a “who's who” on the contemporary piano scene. G. Henle Publisher
Composer: Joseph HaydnArranger: Siegfried Petrenz
Editor: Sonja Gerlach
“Sometimes the symphonies ... are destined to showcase the musicians' talents” – this is how a music dictionary of the time thus commented on a new genre, the “Symphonie concertante.
In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestra works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertizing pianist was foreign to his
When he switched from the harpsichord to the fortepiano in the 1780s, Joseph Haydn found he had a rich palette of sound colors and dynamic variations at his disposal,
The works in this volume show the development of keyboard instruments in an exemplary manner: the early works were intended for harpsichord, two of which were for an instrument with the so-called “Vienne
Composers: Franz Joseph Haydn, Joseph HaydnEditor: Sonja Gerlach
The works in this volume show the development of keyboard instruments in an exemplary manner: the early works were intended for harpsichord, two of which were for an instrument with the so
Composer: Franz Joseph HaydnEditor: Ullrich Scheideler
Written for orchestra in 1786, Haydn also made a version of The Seven Last Words of Christ for string quartet and later adapted the work as an oratorio. Although he did not write it, Haydn praised t
Haydn's last piano work is also considered to be his most famous single work for this instrument. The minor theme is filled with emotional depth: “a melancholy andante in F minor, with variations, as only a ge
Composer: Joseph HaydnEditor: Sylvia Hewig-Tröscher
Contents: Allegretto in G Major after music from La vera costanza • Allegretto and Presto after music from String Quartet No. 29 in G Major, Hob. III:41 (IV) • Largo assai after music from String Quart
