The word toccata comes from the Italian word toccare (to touch). Such virtuosic pieces for the keyboard typically display the performer's technique. Each piece in this collection provides an opportunity to demonstrate dexterity comb
By Wynn-Anne Rossi
One of the most exciting times as a child is losing a tooth and knowing that the Tooth Fairy will be stopping by! Students can now relive over and over the fun and excitement of losing their first tooth by playing this solo written in 4
By Martha Mier
These two volumes each contain six captivating duets in a variety of styles including blues, jazz, ragtime and more! Both the primo and secondo parts are written at the same level of difficulty.
By Martha Mier
These two volumes each contain six captivating duets in a variety of styles including blues, jazz, ragtime and more! Both the primo and secondo parts are written at the same level of difficulty.
By Wynn-Anne Rossi
This trio, written in equal parts for students at the late intermediate level, depicts all the ups and downs of a long journey, but one that ends successfully. Accidentals, syncopation, constant motion through eighth notes, and dramatic
By Robert D. Vandall
Commissioned by the Tucson Music Teachers Association for their 60th Anniversary Piano Ensemble Concert, this duet lives up to its name. Written in C major, the fast 4/4 meter coupled with the repeated blocked and broken chord accomp
Book 2 provides exceptionally attractive ensemble literature for two young students at the same level. The music is richly imaginative, beautiful and lyrical, vibrant and energetic, and whimsical and amusing.
By Jon George
Book 3 provides exceptionally attractive ensemble literature for two young students at the same level. The music is richly imaginative, beautiful and lyrical, vibrant and energetic, and whimsical and amusing.
By Franz Schubert / ed. Maurice Hinson and Allison Nelson
Franz Schubert was one of the most prolific composers of ensemble piano music, and these two marches demonstrate his mastery at writing for one piano, four hands. The Two Characteristic Marches, Op
By Michel Block
Six descriptive pieces depicting scenes and impressions of France. Written in an impressionistic style, these selections are still quite accessible for late intermediate to early advanced pianists.
By Robert D. Vandall
Robert Vandall's piano duets have been favorites of students and teachers for several years. Many have been chosen for contest and festival lists. Whether performed for studio recitals, contests, festivals, or concerts with multiple p
By Robert D. Vandall
This series offers some of the best piano sheet solos by noted composer Robert D. Vandall. Originally available from Myklas Music Press, this book has been re-engraved and features an attractive new cover. Representing many different
By Robert D. Vandall
Impressive, showy solo with second-piano accompaniment. Three movements. (Two scores included) All three movements are Federation Festivals 2016-2020 selections.
By Robert D. Vandall
This attractive concerto is written for pianists with late intermediate technique. Both piano I and II are of equal difficulty. Movement one features a soaring dynamic melody set over shifting tonal centers. Movement two is highlighte
By Camille Saint-Saëns / ed. Maurice Hinson and Allison Nelson
Saint-Saëns composed these variations in 1874, based on the trio of the third movement of Beethoven's Piano Sonata in E-flat, Op. 31, No. 3. The eight ingenious variations plus fugue, presto,
By Melody Bober
A great way to celebrate summer is to zip down a refreshing and fun waterslide! Now, you can relive that moment through this late-elementary piano solo. In the key of C major, slippery descending and ascending runs give the impression of s
This early intermediate duet is a study in both sound and choreography. In both parts, the left hand crosses over the right hand at different places in the piece. In the middle of the duet, the secondo plays a long scale-like line mov
