By Robert D. Vandall
All students who play the piano want to play music that is impressive to an audience. They are drawn to pieces that challenge them to move their fingers, arms and hands quickly, creating sounds that bring shouts of "Bravo!" from the a
By Robert D. Vandall
All students who play the piano want to play music that is impressive to an audience. They are drawn to pieces that challenge them to move their fingers, arms and hands quickly, creating sounds that bring shouts of "Bravo!" from the a
By Catherine Rollin
Originally commissioned by the Midland Music Teachers Association in 1999, this exciting fanfare-filled piece is made all the more impressive by the work of 2 pianists at the keyboard. Syncopated rhythms, a relentless and exuberant pac
By Martha Mier
The solos in Center Stage, Book 1 were written to highlight the pianistic abilities of young pianists. Students will enjoy performing these solos at school talent shows, recitals, or sharing them with family and friends. Most of the pieces
By Martha Mier
The seven solos in Center Stage, Book 2 were written to highlight the pianistic abilities of young pianists. Students will enjoy performing these solos at school talent shows, recitals, or sharing them with family and friends. Most of the p
By Martha Mier
The nine solos in Center Stage, Book 3 were written to highlight the abilities of intermediate-level pianists. These solos are ideal for performance at school talent shows, recitals, contests or for sharing with friends and family, featurin
by Emilie Lin
A fun, dynamic work that focuses on counting beats, learning new articulations, and introducing students to quickly perform legato and accented notes in rapid succession.
By Martha Mier
Composers first began writing character pieces in the Romantic period as a personal, inward-looking form of musical expression, on a smaller scale than sonatas of the Classical period. These new character pieces emulate this important art f
By Martha Mier
Composers first began writing character pieces in the Romantic period as a personal, inward-looking form of musical expression, on a smaller scale than sonatas of the Classical period. These new character pieces emulate this important art f
By Wendy Stevens
This creepy, dangerous sounding piece is fast paced and fun for fall recitals, halloween recitals, or just as a motivating piece for early intermediate students!
The enchanting, lydian melody and easy patterns are great for small hands,
By Robert D. Vandall
Chicagoland is a duet suite commissioned by the Salt Creek Music Teachers Association for it's Music of Robert Vandall Festival, 2015. The suite contains two movements, with primo and secondo parts leveled equally. "The Windy City" i
Titles:
Away In A Manger
The Chipmunk Song
Deck The Hall
The First Noel
Frosty The Snow Man
Here Comes Santa Claus (Right Down Santa Claus Lane)
I Saw Mommy Kissing Santa C
By Nancy Faber
Exciting duet is written for one piano, four hands. Stunning and effective, this piece comprises three movements: Dragon Dances, Dragon's Gate (Sacred to Dragons), and Dragon in the Clouds.
By Dan Fox and Dick Weissman
No matter what instrument you play, chords are an important part of your music. Chord Progressions: Theory and Practice breaks down how they're important and gives you all the information you need to create chords and use the
by Tracey Craig McKibben
Traditional carols with lyrics include Angels We Have Heard on High (France), God Rest Ye Merry Gentlemen (England), Silent Night (Austria), and Jolly Old Saint Nicholas (USA). Lesser-known tunes include Baloo, Lammy (Scotland),
Composer: Various
It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, and basic left-hand chord diagrams.
Arr. Robert D. Vandall
In Christmas Extravaganza, Book 1, Robert Vandall takes familiar songs and carols to a new level of pianism and creativity. Each piece is arranged with pianistic freedom appropriate to the song. The arrangements combine both fresh a
Arr. Robert D. Vandall
In Christmas Extravaganza, Book 2 Robert Vandall takes familiar songs and carols to a new level of pianism and creativity. The arrangements combine both fresh and familiar harmonies, unique melodic treatments, and interesting rhythm
by James Bastien
The Primer Level and Levels 1 through 4 of Christmas Favorites are precisely coordinated to the corresponding five levels in the Bastien Piano Library. Each book contains a selection of the best known popular Christmas carols, brightly il
by James Bastien
The Primer Level and Levels 1 through 4 of Christmas Favorites are precisely coordinated to the corresponding five levels in the Bastien Piano Library. Each book contains a selection of the best known popular Christmas carols, brightly il
by James Bastien
The Primer Level and Levels 1 through 4 of Christmas Favorites are precisely coordinated to the corresponding five levels in the Bastien Piano Library. Each book contains a selection of the best known popular Christmas carols, brightly il
by James Bastien
The Primer Level and Levels 1 through 4 of Christmas Favorites are precisely coordinated to the corresponding five levels in the Bastien Piano Library. Each book contains a selection of the best known popular Christmas carols, brightly il
by James Bastien
The Primer Level and Levels 1 through 4 of Christmas Favorites are precisely coordinated to the corresponding five levels in the Bastien Piano Library. Each book contains a selection of the best known popular Christmas carols, brightly il
