Ed. Edwin McLean and Kevin Olson
The intermediate level student is provided with a wide array of popular Christmas selections of their choice. Such titles as: I Heard the Bells on Christmas Day, A Marshmallow World, Breath of Heaven (Mary's Song), a new
by Nancy Lau
In the City is a three-movement suite for one piano, four hands. Each movement exhibits the different moods experienced within a city, from the excitement in On the Move, to the peace and playfulness of In the Park, to the hustle and bustle
by Gina Sprunger
These piano arrangements by Gina Sprunger provide an array of familiar hymns to guide us on the Christian journey. As we walk with Christ in faith and fellowship, let us put our trust in Him and rejoice!
For the composer, indelible describes lasting memories that are unforgettable–a summer rain, a christening, a beautiful horizon, a jam session. Costley’s lyricism is evident throughout this new intermediate collection of joyous memor
By James Bastien
Provides a nice balance between studying musical forms and continuing work in scales and triads. Also presents figured bass, modulation (secondary dominant), musical textures, and music terms.
by John Thompson
Intermediate to Advanced 12 brilliant, evocative and masterful solo pieces by the legendary pianist and composer John Thompson, newly engraved and edited for the modern pianist.
By: Kevin Olson
Dedicated to the students of the Kitsap Music Teachers Association, Kitsap, Washington Once the clock starts ticking, the rhythmic energy of this Latin-infused piece never lets go! A show-stopper for two pianos and eight hands.
Bach's famous 1735 concerto, including extensive historical notes, performance notes on ornamentation, articulation and phrasing, tempos, and dynamics, as well as footnotes within the score and editorial addi
Composer: Johann Sebastian Bach
Although people might like to think that the “English Suites” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of
Composer: Johann Sebastian Bach
Although people might like to think that the “English Suites” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of
Composer: Joahnn Sebastian BachEditor: Rudolf Steglich
Although people might like to think that the “English Suites” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of
