For the first time since Clara Schumann's Complete Edition of 1879-93, all of the works for piano solo are appearing as one editorial project. Includes extensive commentary, alternate versions, and more.
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are appeari
On the 200th anniversary of Robert Schumann's birth, an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879–93, all of the works for piano solo are a
Schumann wrote his only piano concerto for his wife Clara. Originally it was conceived as a single movement fantasy. Unlike many virtuoso concertos of its day, which see the virtuoso pianist contrasting with the
The “Davidsbund” – a group of artists who had joined forces in a revolutionary struggle against the backward structures in the artistic world, amongst whose members he counted both real and imaginary peop
By Robert Schumann / ed. Maurice Hinson
Eight contrasing pieces with descriptive titles comprise the "Fantasy Pieces", Op. 12. Although the eight pieces form a homogeneous whole, each can be played individually without loss of effect. They are challenging
By Robert Schumann / ed. Maurice Hinson
Eight contrasing pieces with descriptive titles comprise the "Fantasy Pieces", Op. 12. Although the eight pieces form a homogeneous whole, each can be played individually without loss of effect. They are challenging
Schumann's great C-major Fantasy, Op. 17, was originally intended to be published as a “Sonata for Beethoven” entitled “Ruins, Trophies, Palms. Grand Sonata.” Although he eventually abandoned this plan, h
“With humor, slow and tender, extremely brisk”: the very expression marks of the Op. 12 “Fantasy Pieces” illuminate their musical universe, a kaleidoscope of ideas and moods. Our revised new edition prese
