Composer: Helen Marlais, Kevin Olson
In the Every Day plan for Book 1B, students learn key and time signature recognition; how to count basic rhythms in time signatures of 2/4, 3/4, and 4/4; interval recognition starting on and around the guide notes of
Composer: Helen Marlais, Kevin Olson
In the Every Day plan for Book 2A, students learn key and time signature recognition; how to count basic rhythms that include eighth notes; interval and pattern recognition through major five-finger patterns; single-
Composer: Helen Marlais, Kevin Olson
In the Every Day plan for Book 2B, students learn triads and begin to play pieces with both hands together on two staffs. Attention is given to different articulations and dynamics, and students are asked to transpose
Composer: Helen Marlais, Kevin Olson
In the Every Day plan for Book 3A, students learn and practice different rhythmic activities with accent markings, focusing on the dotted quarter note rhythm followed by eighth notes. Tonic and dominant chords are expl
Composer: Helen Marlais, Kevin Olson
In Book 3B of this distinctive series, new concepts carefully interweave with reviewed concepts to further the students’ knowledge and hone their sight-reading abilities. Some of the concepts reviewed are: rhythms that
Composer: Helen Marlais, Kevin Olson
In Book 4A of this outstanding series, Helen Marlais along with Kevin Olson, provide students with creative, structured lessons and activities to further develop their sight reading abilities. New concepts include: sl
Composer: Helen Marlais, Kevin Olson
In Book 4B of this outstanding series, Helen Marlais along with Kevin Olson, provide students with creative and structured lessons to further develop their sight reading and rhythm abilities. New concepts include: rea
Composer: Helen Marlais, Kevin Olson
In Book 5 of the Sight Reading & Rhythm Every Day® series, students learn about compound meters and cut time, chords and their inversions, and new music terms including dolce, meno, and sempre. Also, Book 5 incorporat
Composer: Helen Marlais, Kevin Olson
Book 6 of Sight Reading & Rhythm Every Day® reinforces previous skills and adds new skills such as reading sixteenth-note rhythms in several different keys and includes combinations of rhythms such as an eighth note fo
Composer: Helen Marlais, Kevin Olson
Book 7 continues to develop student’s ability to sight read with ease, accuracy and musicality! Carefully crafted musical examples develop eye, ear, and hand coordination. New concepts are: sixteenth-note rhythms in 3/
Simply Gershwin is a collection of the most famous compositions by George and Ira Gershwin. Phrase markings, articulations, fingering and dynamics have been included to aid with interpretation, and a large print size make
By Dennis Alexander
Sophisticated works for the late elementary to early intermediate level teenage and adult students with titles such as "Full Moon Rising," "Just Us," "Yesterday's Dreams" and more. The pieces sound "bigger than they are" and span a wid
By Dennis Alexander
Sophisticated works for the late elementary to early intermediate level teenage and adult students with titles such as "Full Moon Rising," "Just Us," "Yesterday's Dreams" and more. The pieces sound "bigger than they are" and span a wid
By Noah Baerman and Jen Allen
Soloing is an important part of your playing, but practicing on your own doesn't always get the creative juices flowing---there is nothing like the experience of sitting in with a full band. Though playing with a group isn't
In this beautifully engraved edition of Opus 36 by Clementi, McLean creates a pedagogical publication that preserves the intent of the original edition while adding a judicious amount of detail to guide the developing pianist. A “mus
By Wynn-Anne Rossi
Oh dear, it seems that a skeleton may be trapped in your closet. But who's in real trouble here? It seems the closet that poor Mr. Skeleton is trapped in is quite messy and gross---even for a monster! This Elementary solo is written in
By Antonín Dvorák / ed. Carol Bell, Maurice Hinson, and Allison Nelson
Dvorák's Slavonic Dances, Op.72 is the second of two sets of dances inspired by the composer's Bohemian folk-music roots. There are eight duets in this volume, each one displaying rhyt
By Leroy Anderson / arr. Michael Edwards
By arranging this famous Leroy Anderson piece as a duet, the sound is full and rich, while also being very playable for two late intermediate level artists. The Secondo part will be basically accompanimental, but w
by Melody Bober
Experience the sleighride from the staccato jingles to the joyous melody which passes from hand to hand. Features cross-hand arpeggios and interlocking hands tremolo.
